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Title details for Snow by John Banville - Available

Snow

ebook
1 of 1 copy available
1 of 1 copy available
*NATIONAL BESTSELLER*
*SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD*
A Globe and Mail Best Book of the Year
A New York Times Editors' Choice Pick
"Banville sets up and then deftly demolishes the Agatha Christie format...superbly rich and sophisticated."—New York Times Book Review
The incomparable Booker Prize winner's next great crime novel—the story of a family whose secrets resurface when a parish priest is found murdered in their ancestral home
Detective Inspector St. John Strafford has been summoned to County Wexford to investigate a murder. A parish priest has been found dead in Ballyglass House, the family seat of the aristocratic, secretive Osborne family.
The year is 1957 and the Catholic Church rules Ireland with an iron fist. Strafford—flinty, visibly Protestant and determined to identify the murderer—faces obstruction at every turn, from the heavily accumulating snow to the culture of silence in the tight-knit community he begins to investigate.
As he delves further, he learns the Osbornes are not at all what they seem. And when his own deputy goes missing, Strafford must work to unravel the ever-expanding mystery before the community's secrets, like the snowfall itself, threaten to obliterate everything.
Beautifully crafted, darkly evocative and pulsing with suspense, Snow is "the Irish master" (New Yorker) John Banville at his page-turning best.
Don't miss John Banville's next novel, The Lock-up!
Other riveting mysteries from John Banville:
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      • Library Journal

        May 1, 2020

        The first mystery Banville has written under his own name, rather than as Benjamin Black, Snow stars a crusty Protestant detective investigating a murder in County Wexford, buried in endless Snow. In Carlyle's debut, The Girl in the Mirror, jealous Iris takes over the identity--and the handsome husband--of golden-girl twin sister Summer, who mysteriously disappears from a yacht in the middle of the Indian Ocean (100,000-copy first printing). In House of Correction, French's new stand-alone, back-in-town Tabitha is arrested for murder when a dead body is found in her shed, and given her pill-popping history of depression and faded recollections of the day, she starts wondering if she really is guilty (50,000-copy paperback and 30,000-copy hardcover first printing). In Jewell's Invisible Girl, virginal 30-year-old geography teacher Owen Pick is suspended from his job for sexual misconduct he denies, ends up on a shady online involuntary celibate forum, and eventually is a suspect in a teenager's disappearance (250,000-copy first printing). Molloy follows up her New York Times best-selling The Perfect Mother with Goodnight Beautiful, about newlyweds Sam Statler and Annie Potter, who have moved to his quiet upstate New York hometown as he pursues his career as a therapist, though, dangerously, his sessions are heard by neighbors through a ceiling vent (100,000-copy first printing). A Los Angeles Times Book Prize winner and finalist for multitudinous awards, Neville collects short crime, horror, and speculative fiction (some new to print) in The Traveller and Other Stories, a cogent example of Northern Irish noir. With Death and the Maiden, Norman wraps up mother Ariana Franklin's 1100s England-set series about Adelia Aguilar, Mistress of the Art of Death, with an original story about Adelia's daughter, Allie, investigating when several girls go missing from a village she is visiting (40,000-copy first printing). The protean Oates offers four masterly, never-before-published novellas, exemplified by the titular story in Cardiff by the Sea, whose protagonist rediscovers past tragedy when she inherits a house in Maine from someone she doesn't know. In Patterson/Serafin's Three Women Disappear, a mob accountant who is the nephew of the don of central Florida is fatally stabbed in his own kitchen, and which of three women--his wife, his maid, or his personal chef--might be responsible (500,000-copy first printing)? Rankin's A Song for Dark Times witnesses the returns of Inspector Rebus (50,000-copy first printing). In The Devil and the Dark Water, Turton's follow-up to the top LibraryReads pick, The 7 1/2 Deaths of Evelyn Hardcastle, famed detective Samuel Pipps is sailing back to Amsterdam in chains when terrifying events assault the crew, Pipps's sidekick vanishes, and Pipps himself is asked to puzzle out what's happening.

        Copyright 2020 Library Journal, LLC Used with permission.

      • Publisher's Weekly

        August 10, 2020
        Affecting prose and depth of characterization largely compensate for the predictable plot of this whodunit set in 1957 Ireland from Booker Prize winner Banville (The Secret Guests). One snowy day, Det. Insp. St. John Strafford arrives at the house of Colonel Osborne
        in County Wexford to investigate the murder of an overnight guest, Fr. Tom Lawless. That morning, the colonel’s wife found Lawless on the library floor; he’d been stabbed in the neck and castrated. Strafford is dismayed to see how neatly the body is laid out with its hands clasped, and the colonel admits that he and at least one other member of his household did some tidying up. Strafford is later struck that, despite statements of affection for the Catholic priest, “No one was crying.” Pressure from the archbishop of Dublin leads the death to be reported publicly as an accident. Strafford’s inquiry follows standard lines, and the various reveals won’t surprise genre fans. This is not one of Banville’s best. Agent: Andrew Wylie, Wylie Agency.

      • Booklist

        Starred review from August 1, 2020
        Booker Prize winner Banville has typically written crime fiction as Benjamin Black, but here he switches to his own name for a new mystery set in 1957 at the forbidding Ballyglass House, a country manor in Ireland's County Wexford. You know Banville is evoking the genre's Golden Age from the first words?"The body is in the library"?but, almost as quickly, you realize that this is not an Agatha Christie novel. Throughout, Banville decorates his deceptively complex mystery with literary flourishes ("the books stood shoulder to shoulder in an attitude of mute resentment") and uses familiar classical-era tropes to camouflage the darkness lurking below the surface. Our narrator is Detective Inspector St. John Strafford, a protestant in a Catholic country, called upon to solve the murder of a Catholic priest stabbed and castrated at the home of a reclusive protestant family. The closets of the Osborne clan are stuffed with kinky secrets, evoking the Sternwoods from Raymond Chandler's The Big Sleep, especially sultry daughter Lettie, a would-be vixen in the manner of thumb-sucking Carmen Sternwood. Strafford initially sees the case as straightforward but, fighting obstruction from the Catholic hierarchy, soon finds himself in another country altogether, where "everything swayed and wallowed," as the area is engulfed in a snowstorm, and the bodies accumulate. No order-restoring resolution here, in this brilliant mix of old tropes and sadly modern evil.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)

      • Good Reading Magazine
        Snow … layered with meaning. The whiteness of it and its purity and innocence; its ability to blanket the environment so that things are hidden; so cold as to be cruel; and so stark that something bright like blood stands out on it. John Banville often hides his crime writing under the snow of a pseudonym, Benjamin Black, with the series of novels following Quirke, a Dublin pathologist. Quirke makes a tangential appearance here, but Benjamin Black has been relegated to the sidelines as Detective Inspector Strafford (you’ll be reminded about the ‘r’) investigates the death of a Catholic priest at Ballyglass House. With ‘Bally’ being an Irish word for ‘place of ’, this house of glass epitomises all that the metaphor suggests, particularly fragility and (supposed) transparency. Banville also cleverly uses a missing whiskey glass as an important clue. Ballyglass House is the ancestral pile of the Osbournes, a Protestant family still clinging to their influential position, if not their wealth. Father Tom Lawless was a frequent visitor to the house and is found early one morning dead on the carpet of the library. (Yes, it’s a body in the library, and yes, Banville is very aware of that stylistic convention. In other textual references, Cluedo gets a nod, as does the higher brow literature of Chaucer, Shakespeare and Joyce.) This is a closed-room mystery in the Agatha Christie style because, due to the snowfall, the inhabitants of the house – all singular and wonderfully drawn – are the only plausible suspects. The snow also evokes Christie’s play, The Mousetrap, with even the lady of the house dubbed ‘the White Mouse’ by her stepdaughter. Indeed, Strafford feels he’s watching a play, with performances by different characters and no-one showing their true selves. The Catholic-Protestant divide is central to the narrative, as is the power and obfuscation of the church hierarchy. Could – should – a crime of this magnitude be hushed up? Despite its subject matter, the book is not without its humour and, in time-honoured tradition, the denouement has several twists. Agatha Christie-like it may be, but this is pure John Banville mastery. Reviewed by Bob Moore

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